elearning - Akademie der bildenden Künste

Workshop zum Thema SPO-Management

Mappings 

Antje Lehn 

SS 2020

Mappings

Sommersemester 2017

Dipl.-Ing. Antje Lehn

Geschichte und Theorie der Bautechnologie

Vestiges of Ideas and Material Agnosticism

Material und Wirkung II

Sommersemester 2020

Jasmin Hammer

Kuratorische Studien

Stefanie Seibold

SS 2020

Technische Grundlagen erweiterter malerischer Raum II 

Franz Wibmer 

SS 2020

Deutsch als Fremdsprache: B1.1 

Barbara Hurault 

SS 2020

Post-Repräsentation: Politik des Bildes zwischen Kunst, Krieg und Affekt 

Taida Kusturica 

Sommersemester 2020

Towards an Historical-Materialism of Cinema: Cinema and Labor 

Diana-Cristina Bulzan

Sommersemester 2018

Research Seminar for PhD Candidates / Workshop B3

Marina Grzinic / Mika Maruyama 

WS 2018/19

Methoden der Behandlung von Holzoberflächen I 

Hella Huber

SS 2020

Geschichte der Technologie: Wandmalerei/Architekturoberfläche II 

Beate Sipek 

Recht und Betriebsführung

Sabine Halik

WS 2017

Paläographie und Heraldik 

WS 2018/19

ao. Univ. Prof. Mag. Dr. Meta Niederkorn

Chemie anorganischer Materialien - VL WS 2010/11

Rita Wiesinger

Mag. Moira Hille

SE Queer Methodologies 20S

Mag. Julia Pennauer

SE: Call me mother! Konfigurationen von Drag, Gender und Marginalität in Camp Diskursen

SE: Analyse von Ausstellungen, Projekten und Institutionen 19W

Dr. Katalin Cseh-Varga

SE: Artistic Research 19S

Mag. Maira Hille

SE: Queer Tactics in Practice - Doing Language

Anna Tzini, PhD. MA.

Documentative processes have been used both as a starting and reflection point and as a media in contemporary art, given the large number of artists using documentary and factual materials for the formulation of very different proposals. Documental practice in contemporary art has developed across several kinds of media, not always sharing a formal style or a common conceptual approach, therefore not making it possible to call it a “genre” in itself. If documentative artistic practices do not necessarily address the archive or a concept of archivology, the archive, nevertheless, in its external and hypomnesic dimension deals with a substrate that is often considered to be documental.
Different artistic proposals raise new questions when crossed with theoretical contributes about the documental, the archive and processes of archivization. In this seminar we will analyse contemporary art works - in close relation to texts from the fields of art theory, history and philosophy - which work with archive and/or documental techniques in direct connection with the historical experiences of the resistance to the Brazilian Military Dictatorship and of the Portuguese Carnation Revolution. A notion of activation or re-activation of the archive is transversal to the chosen theoretical and practical proposals, being that they aim not only at tracing the socio-political and cultural contingencies behind archives’ origins, but also at mapping the realm of the possibilities opened by its emancipatory potentials.

The analysis of different artistic practices fed by two distinct but yet equitable historical experiences raises another question of what is the relevance of form in works in which political potential is affirmed? Which new ways of articulation between the poetic and the political re-activate historical and concrete patterns of, for example, collectivism and communism in contemporary transformative processes? In many works we are presented with different strategies to rescue forms as archive of the past societal emancipatory potential, in order to empower them again from a post-revolutionary perspective. This idea of rescuing, or retrieving something from the archive results in the mapping of a pre-existent field of enunciations, the question is how do we trigger, from this process of assimilation of the past, a projection into the future through its activation in the present time?

VL: Anthropologie der Kunst I 16W

O.Univ.-Prof. Mag. Dr. Elisabeth Von Samsonow

SE: Anthropologie der Kunst III

Kaktus und Kultur. Zum Wesen des Meskalins

Mag. Ivo Gurschler

PD Dr. phil habil. Jens Kastner

VL Ästhetik und Kunstsoziologie II

VL: Ästhetik und Kunstsoziologei I 19W

Dr. Jens Kastner

VO: Ästhetik und Kunstsoziologie 19S

Dr. Jens Kastner

SE: Ästhetik und Kunstsoziologie III

Dr. Jens Kastner

VL: Ästhetik und Kunstsoziologie II 18S

Dr. Jens Kastner

SE: Ästhetik und Kunstsoziologie III 17W

Dr. Jens Kastner

SE: Ästhetik und Kunstsoziologie III 17S

Dr. Jens Kastner

SE: Ästhetik und Kunstsoziologie III 16W

Dr. Jens Kastner

VL: Gender Studies I 20S

Ass.-Prof. Mag. Dr. Doris Guth

VL: Gender studies II 19W

Ass.-Prof. Mag. Dr. Doris Guth

Univ.-Prof. Diedrich Diederichsen

VL Kunst der Gegenwart II 20S

VL: Kunst der Gegenwart I 19W

Univ.-Prof. Diedrich Diederichsen

VO: Kunst der Gegenwart II 19S

Univ.-Prof. Diedrich Diederichsen

VL: Kunst der Gegenwart I 18W

Unif.-Prof. Diedrich Diederichsen

VL: Kunst der Gegenwart II 18S

Univ.-Prof. Diedrich Diederichsen

SE: Kunst der Gegenwart III 17W

Univ.-Prof. Diedrich Diederischsen

SE: Kunst der Gegenwart III 17S

Katharina Hausladen, M.A.

SE: Kunst der Gegenwart III 16W

Univ.-Prof. Diedrich Diederichsen

Univ.-Prof. Mag. Dr. Sabeth Buchmann

VL Kunst der Moderne II 20S

VL: Kunst der Moderne I 19W

Univ.-Prof. Mag. Dr. Sabeth Buchmann

VL: Kunst der Moderne I 16W
Univ. Prof. Dr. Sabeth Buchmann

SE: Kunst der Moderne III 16W

Univ.-Prof. Mag. Dr. Sabeth Buchmann

Ao. Univ.-Prof. Doz. Mag. Dr. Felicitas Thun-Hohenstein

SE Kunst des 20. Jahrhunderts III 20S

SE: Kunstgeschichte V

Mag. Dr. Elisabeth Priedl

Univ.-Prof. Dr.phil. Ruth Sonderegger

Doz. Mag. Eduard Freudmann

PT Projekt - Maser in Critical Studies (Modul II) 20S

PT: Projekt - Master in Critical Studies  (Modul II) 19S

Univ.-Prof. Mag. Dr. Anette Baldau

Mag. Moira Hille

Mag. Dr. Andreas Spiegl

VL Medientheorie II 20S

SE: Analyse von Ausstellungen, Projekten und Institutionen 16W

Mag. Andreas Spiegl

VL: Morphologie des Körpers und Raums I 17W

Ao. Univ.-Prof. Doz. Mag. Dr. Felicitas Thun-Hohenstein

VL: Morphologie des Körpers und des Raums I 17S

Ao. Univ.-Prof. Doz. Mag. Dr. Felicitas Thun-Hohenstein

Univ.-Prof. Dr. phil. Ruth Sonderegger

VL Philosophie und ästhetische Theorie I 20S

Univ.-Prof. Mag. Christian Kravagna

VL Postcolonial Studies I 20S

Univ.-Prof. Mag. Christian Kravagna

SE: Postcolonial Studies III 19W

VL: Postcolonial Studies I 19S

Unif.-Prof. Mag. Christian Kravagna

VL: Postcolonial Studies I 18S

Univ.-Prof. Mag. Christian Kravagna

VL: Postcolonial Studies II 17W

Univ.-Prof. Mag. Christian Kravagna

SE: Postcolonial Studies III 16W

Univ.-Prof. Mag. Christian Kravagna

SE: Research Methodologies / Fragen der Forschung I 18W

Univ.-Prof. Mag. Dr. Anette Baldauf

Rojda Tugrul

SE: Research Methodologies / Fragen der Forschung I 17W

Univ.-Prof. Mag. Dr. Anette Baldauf

SE: Research Methodologies/Fragen der Forschung II 16W

Univ.-Prof. Mag. Dr. Anette Baldauf

SE: Violence and Art Legacy 16W

Univ.-Prof. PhD. Jelena Petrović

The course focuses on the connection between the development of the cities (operated by economical, social, political forces) and the construction of the “image” of the cities (with a focus on XX century documentary/landscape photography).

In his book “The city of the XX century” Italian architect and urbanist Bernardo Secchi draws three stories about the ways cities and territories changed, three different and overlapping stories that talk about the expansion and dissolution of the city; the end of the Modern city; and the relationships between city, individual and society.

We will take this book as a starting point to analyze not only the ways these changes influenced the perception of landscape and its representations, but also the connections between the latter and the political institutions. We will see how, according to the different periods, the population of centers and peripheries change, and we will investigate both the possible related reasons (ex. pollution). The peripheries expand in different ways according to the local welfare policies: the definite and functional idea of the modern city is over and the architects propose different alternatives to the city (cities that expand in the metropolis and grow further in the megalopolis, before exploding in some cases into urban sprawls).

Connected to the English journal The Architectural Review, the Townscape movement started around the 1950s to promote a newly formed attention towards the fabric of the city, its materials, its details, its infrastructures, its peripheries. Pivoting on this shift of attention from the monumental to the trivial, it is crucial to understand how the representation of the cities changed in the XX century and relate the new imageries to the emerging ecological movements (ecology as a transversal science connecting organisms and environments, where environments are seen as “wholes” made by fragments and include different scales: architecture, urbanism, country planning).

It is possible to draw a line between the Photography program established by Farm Security Administration agency in the USA, which involved photographers such as Dorothea Lange and Walker Evans (just to name a few) from the late 1930s, together with The Architectural Review’s investigations of the 1950s in UK, with the Bechers’ photographic surveys in Germany, the DATAR photographic mission of the 1980s in France, the “landscape” photography of the 1970-80s in Italy to create a network of different imageries related to different contexts.

Confronting the centers and the peripheries, the monumental and the estates, the different scales (the private space of the house and the public space of the streets) with their respective imageries, the aim is to understand how the production of images is connected to urgencies to redefine the ideas of landscapes and ecology, to analyzing and cataloguing, to re-appropriation practices and/or propaganda policies; to understand the immediate and non-immediate connections between the politics and imageries.

Gegenwartsdiagnosen künstlerischer Praxis

Christiane Kues 

SS 2018

GK 3.3 / KB 5.1 Schreibpraxis 

Barbara Schrödl

SS 2020

KB 2.3 Künstlerische kollaborative Kunstvermittlungspraxis

Carla Bobadilla

SS 2020

KB 3.4 Fachdidaktik Künstlerische Kunstvermittlung

Nicole Suzuki 

SS 2020

KB 5.3 Schreibpraxis II - Kunst und Bildung

Thomas Ballhausen 

SS 2020

KB 7.2 / KB 10.5 - Offene Werkstätten KB I-IV 

Johannes Köck

SS 2020

KB 6.1 Portfolio

Sophie Lingg

SS 2020 

KB 2.2 Künstlerische Kunstvermittlung (Künstlerisches Projekt II)

Carla Bobadilla / Hansel Sato 

SS 2020

KB 1.4 Transmediale Explorationen

Joonas Lahtinen

SS 2020

KB 4.4 / GK 3.2 Gender Studies I 

Elke Gaugele / Elke Krasny 

WS 2019/20

KB 4.2 / MS 4.5 Gesellschaftstheorie 

Jens Kastner 

WS 2019/20

KB 4.1 Kunst im Kontext

Barbara Mahlknecht 

SS 2019

KB 3.5 Fachdidaktik Kunst, Öffentlichkeit, Geschichtspolitik 

Nicole Suzuki 

SS 2019

KB 3.3 Fachdidaktik Intersektionale Kunstdidaktik 

Nicole Suzuki

SS 2019

KB 8.1 Bachelorarbeit aus KB 4.3 Werkanalyse

Joonas Lahtinen 

SS 2019